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Originally published in 1939
Some of this information may no longer be current and in that case is presented for historical interest only.
Edited by GET NJ, COPYRIGHT 2002
The magnet of New York began to draw writers away from New Jersey
as far back as the days of Gilder and Stedman. Dorothy Parker, Alexander
Woollcott, Robert Hillyer, and Edmund Wilson are associated with New
Jersey only by the accident of birth. Conversely, others, such as Mary
Wilkins Freeman, Joseph C. Lincoln, and Honore Willsie Morrow, have
made their homes here but have continued to write of other locales.
Contemporary literature in New Jersey reflects the diverse elements of
American writing rather than any specific qualities inherent in the State.
Princeton is the nearest approach to a literary center and there the flavor
of a more sedate period lingers in the essays of George McLean Harper,
the novels and essays of Katherine Fullerton Gerould, the travel books
and biographies of James Barnes, the historical works of William Starr
Myers, and the educational writing of Christian Gauss -- to mention only
a few diverse authors.
New Jersey novelists did not follow the lead of F. Scott Fitzgerald,
who based This Side of Paradise on his student experiences at Princeton.
They eschewed interpreting the spirit of the "jazz age" a decade ago, as they
now for the most part avoid the problems of industrial and social conflict. Josephine Lawrence of Newark has come closest to current issued
with a few novels that examine the domestic and business pattern of the
middle class. Before he devoted himself exclusively to writing on dogs
and travel, Albert Payson Terhune of Pompton Plains wrote several novels
with a background of pre-war liberalism.
Greater diversity of temperament and interest characterizes the present-day poets of the State. Amelia Josephine Burr and Mrs. Dwight W. Morrow, of Englewood, representing the older tradition in both form and
subject matter, have produced several volumes of charming and graceful
verse.
William Carlos Williams, physician and author of Rutherford, has published The Great American Novel, A Voyage to Pagany, Life Along the
Passaic River, some translations from the French, and a considerable
amount of rather distinctive poetry. In 1926 he was awarded the Dial
prize of $2,000 for services to American literature, and in 1931 he won
a prize in poetry. His verse, free in form, is generally marked by social
implications.
A liberal in politics and poetry, Louis Ginzberg of Paterson often embodies a touch of mysticism in his delicately constructed lyrics. The Revolutionary tradition of recording the State's history and development in
verse is revived in the Jersey Jingles by Leonard H. Robbins of Montclair,
as well as in the work of Joseph Folsom of Newark.
Preoccupation with the national scene has tended to blind New Jersey
writers to the regional characteristics of their own State. No one has yet
done for New Jersey what, for instance, William Faulkner has done for
Mississippi or Robert Frost for New Hampshire. Appreciation of the local
scene has been left, as a rule, to the journalists. No poet has yet written
a ballad on the Pineys or the Jackson Whites. An outstanding story of
mill life in Passaic or Paterson remains to be written, and, save for The
Tides of Barnegat, the fishermen and oystermen of the coast are material
left unused by creative writers. This virtually unexplored field requires
only the touch of skillful authors to demonstrate its value as a source of
American literature.
New Jersey: The American Guide Series Table of Contents |
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