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NEW JERSEY
A Guide To Its Present And Past
Compiled and Written by the Federal Writers' Project of the Works Progress Administration for the State of New Jersey
American Guide Series

Originally published in 1939
Some of this information may no longer be current and in that case is presented for historical interest only.

Edited by GET NJ, COPYRIGHT 2002

The Arts: Literature
Part 5

Stephen Crane (1871-1900), perhaps the State's outstanding native literary figure, represents chiefly a revolt against formalism and smugness in fiction, but his gifts are too varied and individual to be easily classified. At the age of twenty-five he published The Red Badge of Courage, a novel of the Civil War that attracted Nation-wide attention. Then, setting out to learn of war at first hand, he joined a Cuban filibustering expedition, and suffered experiences that were later epitomized in The Open Boat, which H. G. Wells called the finest short story in the English language.

Meanwhile, his reputation as a writer on war brought him commissions as war correspondent in the Greco-Turkish and Spanish-American Wars. The private publication of Maggie: A Girl of the Streetsaroused a storm of criticism similar to that later evoked by Dreiser's Sister Carrie. Wholly different was the reception accorded his Whilomville Stories, an authentic record of New Jersey village life. In his two volumes of free verse, Black Riders and War Is Kind, Crane proved himself a master of epigrammatic compression. The last period of his life was spent in England, where he became the intimate friend of Joseph Conrad. He died of consumption, and was buried at Elizabeth, New Jersey. The Stephen Crane Association was formed to acquire his birthplace at No. 14 Mulberry Street, Newark.

Lean, tall, slow-speaking, and hollow-eyed, Stephen Crane challenged the mores of his day with a sometimes grim, sometimes half-smiling, integrity. It is his honesty of viewpoint and method, together with his interest in the effects of environment on character, that earned for him the title of "father of the American psychological novel," though actually his work barely preceded that of Dreiser.

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